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| "Lovin' It!" Photo: Angela M. Counts |
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| "Boston Red Dogs in the Common" Photo: Angela M. Counts |
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| "One-Man Band" Photo: Angela M. Counts |
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| "Rental" Photo: Angela M. Counts |
Like the photographic dictionary ABC DF: Graphic Dictionary of Mexico City, each week I will use the Spanish and English alphabet to examine the experience of the city more deeply…
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| "Lovin' It!" Photo: Angela M. Counts |
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| "Boston Red Dogs in the Common" Photo: Angela M. Counts |
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| "One-Man Band" Photo: Angela M. Counts |
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| "Rental" Photo: Angela M. Counts |
Angela M. Counts is an award-winning playwright and artist whose works have been presented in galleries, theaters, and other venues across the country, including New York Theatre Workshop, LaMama Experimental Theatre Company, New England Conservatory of Music, and Museum of Fine Arts, Boston (MFA thesis exhibition, 2013). Recent group exhibitions include #SayHerName: Watch Us Werk at Lesley University’s VanDernoot Gallery, curated by Dell Hamilton (2018) and StandUp!: Women You Should Know, curated by Silvi Naci at Boston’s Kayafas Gallery (2017). Angela was a featured guest artist for Lee Mingwei's Living Room Project at the Isabella Stewart Gardner Museum (2017), where she engaged with visitors in a presentation of her art and influences, including her Lorraine Hansberry award-winning play, Hedy Understands Anxiety. Angela’s latest video works, “Breakfast with Abu” and “Hijab, Red Sea” explore the complex dynamic between the artist and her Muslim father, an American expat, living in Saudi Arabia. She is developing the project further into a series, entitled, “My Muslim Daughter”.
Angela M. Counts is an award-winning playwright and artist whose works have been presented in galleries, theaters, and other venues across the country, including New York Theatre Workshop, LaMama Experimental Theatre Company, New England Conservatory of Music, and Museum of Fine Arts, Boston (MFA thesis exhibition, 2013). Recent group exhibitions include #SayHerName: Watch Us Werk at Lesley University’s VanDernoot Gallery, curated by Dell Hamilton (2018) and StandUp!: Women You Should Know, curated by Silvi Naci at Boston’s Kayafas Gallery (2017). Angela was a featured guest artist for Lee Mingwei's Living Room Project at the Isabella Stewart Gardner Museum (2017), where she engaged with visitors in a presentation of her art and influences, including her Lorraine Hansberry award-winning play, Hedy Understands Anxiety. Angela’s latest video works, “Breakfast with Abu” and “Hijab, Red Sea” explore the complex dynamic between the artist and her Muslim father, an American expat, living in Saudi Arabia. She is developing the project further into a series, entitled, “My Muslim Daughter”.
1. Construction around the State House and the refurbished gold dome.
2. Coffee in Downtown Crossing…it always made the long winter walks up the hill tolerable.
3. Downtown Crossing and Filene’s Basement…no longer there.
4. Cambridge Street with its New England storefronts, high-end restaurants, along with the more local fare, and the side streets of made cobblestone.
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| "Fair with Lace" Photo: Angela M. Counts |
5. Boston Common…the walkways that criss cross in and out of the country's oldest public park, of all them leading up the hill.
6. Suffolk University housed in a small high-rise on a quaint side street.
7. The little brick building, where the Diversity and Community Partnership (DCP) program is housed on Harvard’s medical school campus.
8. The 39 bus that picked me up in front of my house and dropped me off around the corner from DCP.
9. Longwood Medical Area – Children’s Hospital, Dana Farber, Beth Israel, Brigham and Women’s Hospital, and more.
10. The Fenway, just less than a mile to the North of Longwood Medical Area, with Fenway Park, the Landmark Center, and the Emerald Necklace.
Angela M. Counts is an award-winning playwright and artist whose works have been presented in galleries, theaters, and other venues across the country, including New York Theatre Workshop, LaMama Experimental Theatre Company, New England Conservatory of Music, and Museum of Fine Arts, Boston (MFA thesis exhibition, 2013). Recent group exhibitions include #SayHerName: Watch Us Werk at Lesley University’s VanDernoot Gallery, curated by Dell Hamilton (2018) and StandUp!: Women You Should Know, curated by Silvi Naci at Boston’s Kayafas Gallery (2017). Angela was a featured guest artist for Lee Mingwei's Living Room Project at the Isabella Stewart Gardner Museum (2017), where she engaged with visitors in a presentation of her art and influences, including her Lorraine Hansberry award-winning play, Hedy Understands Anxiety. Angela’s latest video works, “Breakfast with Abu” and “Hijab, Red Sea” explore the complex dynamic between the artist and her Muslim father, an American expat, living in Saudi Arabia. She is developing the project further into a series, entitled, “My Muslim Daughter”.
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| Photo: Angela M. Counts |
| "Yield, But Don't Walk" Photo: Angela M. Counts |
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| "Dirty Money" Photo: Angela M. Counts |
Angela M. Counts is an award-winning playwright and artist whose works have been presented in galleries, theaters, and other venues across the country, including New York Theatre Workshop, LaMama Experimental Theatre Company, New England Conservatory of Music, and Museum of Fine Arts, Boston (MFA thesis exhibition, 2013). Recent group exhibitions include #SayHerName: Watch Us Werk at Lesley University’s VanDernoot Gallery, curated by Dell Hamilton (2018) and StandUp!: Women You Should Know, curated by Silvi Naci at Boston’s Kayafas Gallery (2017). Angela was a featured guest artist for Lee Mingwei's Living Room Project at the Isabella Stewart Gardner Museum (2017), where she engaged with visitors in a presentation of her art and influences, including her Lorraine Hansberry award-winning play, Hedy Understands Anxiety. Angela’s latest video works, “Breakfast with Abu” and “Hijab, Red Sea” explore the complex dynamic between the artist and her Muslim father, an American expat, living in Saudi Arabia. She is developing the project further into a series, entitled, “My Muslim Daughter”.